Tiles, a Detroit based prog group, takes the route less traveled amongst American prog metal. It seems these days bands either attempt to take the route closer to the likes of power metal, or they go in a more assertive direction ala Between the Buried and Me. In fact, one could say that calling Tiles’ latest effort Fly Paper more rock than metal, would potentially have a good argument. However, in my not so humble opinion, Tiles has produced a great record with some strong metal moments; that alone makes covering this album worth it.

If pressed, I would pinpoint the Tiles sound as a cross between Alice in Chains (specifically with vocalist Paul Rarick sounding a tad like Layne Staley), The Cult, and Dream Theater. Odd combination right? Well, isn’t that what prog rock/metal is supposed to be about? I’m sure there are even more sounds that can be derived, but chew on that combo for a bit, and if you like that possibility, keep reading.

Fly Paper represents a laid back approach to prog. Far too often, prog metal takes the approach of needing technique and speed in order to push the boundaries of their version of what “progressive” means, when in actuality, progression is pushing the boundaries of traditional songwriting to new levels. Bands like Yes, RUSH, and even Iron Maiden and Judas Priest have made their mark by pushing progressive approaches to their art. In that respect, Tiles really hasn’t created an “against the grain” album, but what they have constructed works. Fans of Spock’s Beard will immediately recognize the laissez faire approach of Tiles, sometimes bordering on smooth jazz during a few moments (”Markers” is a good example of this, and is one of the best songs on the album). Again, some will say this isn’t metal, but that is a subjective term. Tiles, while not mimicking even Dream Theater in heaviness, know how to maintain a sense of attitude and atmosphere throughout their music, which is just as metal as the dingiest death metal.

Overall, fans of true prog will dig what Tiles has put out. Having been around since 1993, this band is not exactly new to the scene, but their sound isn’t what will be knocking down doors in the mainstream metal community either. I enjoyed this album quite a bit, but because of its moody flavor, Fly Paper wouldn’t be suggested for head banging and busting heads in a moshpit. However, if you crave that atmospheric album that really hits the spot for that long car ride, or that rainy day, then do yourself a favor and give Fly Paper a try.

VERY GOOD

Top Tracks: Hide & Seek, Markers
Similar Artists: Dream Theater, Alice in Chains, Spock’s Beard, Porcupine Tree, The Cult

1. Hide In My Shadow 05:43
2. Sacred & Mundane 05:26
3. Back & Forth 06:02
4. Landscrape 04:31
5. Markers 06:55
6. Dragons, Dreams & Daring Deeds 08:09
7. Crowded Emptiness 04:06
8. Hide & Seek 08:31

Pat DeLeon - Drums, Percussion, Backing Vocals
Chris Herin - Guitar, Keyboard, Banjo, Mandolin
Paul Rarick - Vocals, Backing Vocals
Jeff Whittle - Bass
Marc Evans - Drums

InsideOut Music
http://www.myspace.com/tilesmusic

Written by CODY